All prices quoted are ex-gst. Click here for our full media kit.
All rates above use standard CMYK 4-colour process and match your colour choices as closely as possible; however, no guarantee of exact match can be given. Use of a fifth ink or more, or special inks, attracts additional costs (price on application).
|Print ad sizes||Width (mm)||Height (mm)|
|Full page (Trim)||240||325|
|Full page (Bleed)||250||335|
Please Note: With Full Page Ads there is a safe type area of 210 mm x 295 mm to maintain type visibility after printing and binding.
Click here for guidelines for the supply of digital images and artworks.
Website Banner Advertising
All banner advertising options listed below can be purchased separately or we can customise a marketing program for you. All options are for a minimum period of three months . All ads are run-of-site, appearing on all pages, and there are a maximum of 6 positions (rotations) available for each ad type.
|Size in pixels (w x h)||Cost per month||Total cost|
|Leaderboard (728 x 90)||300||900|
|Box banner (300 x 250)||300||900|
Click here for a sample download illustrating the banner types listed above.
Advertising Bookings & Enquiries
Australian Art Review is a fully integrated marketing channel for galleries and artists with a premium quality quarterly magazine and website for local and international art buyers.
For information on advertising in aAR magazine, on ArtReview.com.au (or to discuss an integrated package across both mediums), check out our Media Kit, which includes magazine circulation details and website traffic stats and contact:
- Jenni Jordan
- or phone: +61 2 9487 2700
Directory Listings and What's On
Adding your gallery or artist to our directory is free and once registered you can post news about upcoming exhibitions or shows free of charge.
Please note that Directory listings and What's On articles are subject to approval by the editorial team. Images supplied with What's On articles should be typical of the artist and suitable for a general audience.
Advertisers and artists should recognise that what they see on their screens or colour printers is not necessarily colour accurate. Colour accuracy can only be achieved by supplying a hard copy press-proof for matching on the printing press. Further, without seeing the original artworks, such as a painting, colour correction by Australian Art Review to achieve a match is not possible (See information on colour).
Supply of Digital Advertising Material
As part of our guarantee of top-quality service, all incoming digital material is scrutinised for possible problems in reproduction. If problems are identified in your material, you will be advised of what we have found. Often, with your permission, we can correct the problem or you may wish to replace the material. We are here to assist you maximise the quality of the reproduction of your material.
However, Australian Art Review does not take responsibility for the repair, quality or integrity of any digitally supplied advertising.
Suppliers of digital advertising material are responsible for checking all files before sending to Australian Art Review. Any work undertaken by Australian Art Review to process non-compliant material will incur a charge.
Due to the highly specialised and complex technical nature of image/plate setters, and to ensure the best quality reproduction of your material, Australian Art Review has the following guidelines. Any digital file that does not comply with these guidelines cannot be accepted.
|IBM formatted (Preferred)|
|Software||Adobe Acrobat 9|
|Adobe Photoshop CS5|
|Adobe Illustrator CS5|
|Software||Adobe Illustrator CS3|
|Adobe Photoshop CS3|
We do not accept: Film, Microsoft Publisher, Word, PowerPoint, Freehand, CorelDraw, TrueType fonts, Quark Express (Files will be sent to a bureau for conversion and incur a charge)
Fonts: Only postscript fonts will be accepted. All fonts must be embedded or supplied (both printer and screen). Do not artificially stylise fonts (eg: bold, italics) as simulation results in unsatisfactory output.
Colour: All files must be CMYK or greyscale. No embedded colour profiles are to be used. LAB or RGB colour modes cannot be used. Spot PMS colours can only be accepted upon prior arrangement. Accurate colour reproduction cannot be expected unless material complies with our guidelines and is accompanied by an accurate press quality digital proof. (Note: No standard office printer will give such proofs.)
Transparency: Recommended to rasterise (remove) all transparency.
Proofs: Authenticity to original material cannot be expected without supply of a proof. Colour accuracy cannot be expected unless an accurate press quality proof is supplied. (Examples of guidelines used by some printers can be found supplied by 3DAP on www.3dap.com.au ). Only proofs labelled as such will be sent to the printer for colour matching. While Australian Art Review will print as accurately as possible to such proofs, no liability is accepted.
Images: Must have a resolution of 300 dpi @ 100%, line art bitmap tiff files 1200 dpi. File types should be tiff or composite EPS. GIF, DCS, PICT files cause loss of quality or print errors and will not be accepted. JPEG files will only be accepted after being checked for quality, and should be converted into tiff format. Note that embedded JPEGs can cause print errors and should not be used.
Bleed: Minimum 3 mm is required for full-page advertisements only, and always allow enough space for trim. All smaller-sized ads should be made to the mechanical specifications given.
Size: Advertisements must comply with the correct size booked.
PDFs: We recommend that PDFs be created using the Australian Art Review job options, for users of Adobe CS3 and Acrobat 8. Click here to download.
Preflight: Acrobat 8 preflight profile for checking your pdf is available by clicking here .