Patricia Anderson - Editor
Patricia Anderson's publications include Art + Australia: Debates, Dollars & Delusions, Contemporary Jewellery in Australia and New Zealand and Elwyn Lynn's Art World. She has been a Sydney art critic for The Australian, and has contributed essays and book reviews to The Financial Review, London's Apollo, Australian Book Review, Quadrant (as a contributing editor), The Sydney Morning Herald and Art & Australia. Her most recent book Robert Hughes: the Australian Years was released last year.
Articles by this author
- The art world's shifting sands
- The collecting imperative
- Editor’s Choice Issue #36
- Portrait of Spain: Masterpieces from the Prado
- Bulgari A celebration of perfection
- An uncertain journey
- Tjukurrtjanu: Origins of Western Desert Art
- The art of collecting
- aARTbook Bites #33
- Masterpieces from the Musée Picasso, Paris
- Dreaming in colour
- Théodore Géricault
- aARTlook Bites
- Scattered treasure
- The changing faces of realism
- Art out of anarchy
- The fugitive image
- Tinker, Tailor, Soldier, Sailor | 100 Women 100 Brooches 100 Stories
- Brilliant Effects: A Cultural History of Gem Stones and Jewellery
- Celebrity contamination and quieter talents
- Eye to Eye: European Portraits 1450–1850
- The world's largest gallery
- Intensely Dutch: Image, Abstraction And The Word, Post-War And Beyond
- The mutating museum
- Margaret West
- Paths to Abstraction
- Abstraction’s trajectory
- It began with Kaapa Tjampitjinpa
- The adventure in three dimensions
- From bark and stone to board and canvas
- David Thomas: Philanthropist
- Is beauty a virtue?
- The fine art of Benefaction
- The First Emperor: China's Entombed Warriors
- Nature worship: the new religion
- Bold and Precious
- Brett Whiteley: A Sensual Line
- For the heart or the vault?
- A History of the World in 100 Objects
- After Fire: A Biography of Clifton Pugh
- Myths and mysteries
- Nature as metal
- Culture as commodity
- Nude or naked?
- Still life - on the move
- George Baldessin: Paradox & Persuasion
- Cubism & Australian Art
- The art of Australia
- Arshile Gorky: A Retrospective
- Abstraction's long and lively history
- A most valuable resource
- The Blake Prize
- Studio 2017
- The colony: a history of early Sydney
- An unblemished land
- The new arcadia
- Alchemy in Fitzroy Place
- Fairweather
- A little history of mistaken identity
- The world's oldest palimpsest
- Impressionism exported
- Through a glass darkly
- Family business
- Your face or mine?
- A sharp eye - a sharper line
- The Art Instinct: Beauty, Pleasure and Human Evolution
- A past is present
- How digital technologies might enhance our experience of artworks
- Equivocations with colour
© Copyright of artist images resides with the artist and may not be copied, reproduced or transmitted without prior written permission. Contravention would be an infringement under the
Copyright Act 1968.
Use of this site constitutes acceptance of our
Terms of Use
and
Privacy Policy.


