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Modernism in the nation’s capital

SASHA GRISHIN highlights the remarkable legacy and focused aesthetic of a pioneer gallery owner, Ruth Prowse, in Canberra [  More info  ]
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The Global Woman

LOUISE MARTIN CHEW looks at two exhibitions which suggest the shifts in the perception of women by society and themselves [  More info  ]
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Room of wonders

TRENT WALTER draws our attention to an eloquent cache of treasures that is permanently on display at the State Library of Victoria [  More info  ]
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Now you see it

ANDREW NICHOLLS finds that new young curators have breathed new life into Perth’s cultural scene, with one-night-only exhibitions [  More info  ]
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Birds, dogs and t-shirts

APOLLINE KOHEN finds diversity and fun in solo exhibitions by two artists — one established, the other emerging [  More info  ]
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Eloquent intersections

STEPHANIE RADOK explores the interaction of modernist ideas with Aboriginal art [  More info  ]
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Children and photography

VICTORIA HYNES discusses the works of an artist and mother — and the current debates about children as subjects of photography [  More info  ]
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The portrait as lyrical poem

SASHA GRISHIN discusses the dilemmas inherent in capturing a lyrical moment with a sophisticated piece of technology in place of a paintbrush [  More info  ]
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The nocturnal zone

LOUISE MARTIN-CHEW explores the photographic collaboration between two artists whose moonlight kayaking revealed another world [  More info  ]
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Time, parallel, collision and trespass

STEPHANIE RADOK assures the reader that a visit to the Adelaide Biennale will be a dazzling experience [  More info  ]
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Issue 33