aAR’s editor discusses the exhibition Annie Leibovitz: a Photographer’s Life 1990–2005 and in brief, some Australian photographers — established and emerging [  View article  ]

"This imaginary museum created and curated by Phaidon ... is open twenty-four hours a day and 365 days a year ... the world's first truly accessible art museum." The reader is informed that to see all of these works he or she would need to take eleven flights, twelve trains, fourteen bus journeys and taxi rides - all over hundreds of thousands of kilometres. [  View article  ]

aAR’s editor discusses the influence of post-war Dutch art on both American and Australian painters in the 1950s and 60s [  View article  ]

ELIZABETH FORTESCUE traces the beginnings and development of a gallery whose director has an excellent and independent eye. [  View article  ]

JOHN MCPHEE casts an eye over the development of a very special collection of small works [  View article  ]

In an essay which first appeared in Quadrant magazine in October 2010, aAR’s editor discusses an exhibition curated by Terence Maloon, one of the most rewarding exhibitions to appear in Sydney in 2010. [  View article  ]

ELIZABETH FORTESCUE discusses a Sydney gallery which has a stellar stable of Aboriginal and international artists. [  View article  ]

aAR’s editor traces some developments in Australia’s contemporary Aboriginal art movement. [  View article  ]

AP0LLINE KOHEN traces the significance of these very distinctive Aboriginal ceremonial objects from the Kimberley. [  View article  ]

ANNEMARIE LOPEZ discusses the adventurous spirit behind the founding and the success of a Melbourne gallery. [  View article  ]